At the intersection of composition, chemistry and culture — translating raw materials, analytical evidence and sensory intuition into fragrance.
A fragrance career built across manufacturing, formulation, analytical evaluation and perfumery — now converging into an independent creative practice in Grasse.
Hands-on experience in GC-MS/FID analysis, raw-material validation, quality control, deconstruction and IFRA-compliant reformulation.
Fine-fragrance creation from concept to concentrate, working across natural and synthetic materials, accords, bases and sensory evaluation.
Exploring how perfumes work, why materials behave as they do, and how chemistry, memory, aesthetics and culture meet on skin.
Seven-plus years across B2B fragrance manufacturing, analytical evaluation, QC and formulation — followed by focused creative perfumery training in Grasse.
Training directly under Founder & Master Perfumer Joëlle Lerioux Patris, supporting fragrance creation, formulation and olfactory evaluation for active development briefs.
Leading fine-fragrance creation from initial concept through completed concentrate formulation, refining compositions through iterative evaluation.
Formulation, GC-MS/FID deconstruction, manufacturing operations, IFRA-compliant reformulation, raw-material QC and supplier/material validation across a large B2B fragrance environment.
Training in raw materials, olfactory recognition, perfume structures, GC-MS analysis, perfumery chemistry and international cosmetics / IFRA regulation.
“A perfume is not only smelled.
It can be read, tested, dismantled and rebuilt.”
Chromatography, sensory evaluation and formulation are different ways of looking at the same object. The useful work happens where they overlap.
Interpreting commercial fragrance profiles through GC-MS/FID and olfactory analysis, then reconstructing targeted profiles through formulation.
Evaluation and validation across natural and synthetic materials, combining analytical output with sensory assessment and application context.
Editorial territory for the next phase of the site. These are intentionally presented as forthcoming themes, not published claims.
On sensory evaluation, analytical data and the space between the two.
A future essay on structure, lift, persistence and olfactive architecture.
Technical observation without losing subjectivity, memory or emotion.
Interested in fragrance creation, evaluation, R&D, technical perfumery or roles that value both analytical discipline and creative judgement? I would be glad to start a conversation.
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